Campbell’s of Beauly: Keeping Scottish tradition alive
If someone were to tell you that there was an old tweed shop in the Scottish Highlands, Campbell’s of Beauly is exactly what you’d picture. An old stone building, worn wooden shelves, stacked with dozens of bolts.
There are similar piles of tweed caps, shetland jumpers and brightly checked blankets. Stuffed birds, old gun cases and other shooting paraphernalia fill the gaps. It feels like it hasn’t changed in the 150 years since it was founded - and it hasn’t much.
Interestingly, the thing that has changed is that the owners - John and Nicola Sugden - bought it in 2015 when it was slowly drifting into obscurity, and transformed it into a stable business. There used to be a lot more places like this in Scotland, but now this is pretty much the only one left.
It says something about the lack of authenticity in retail today that those stuffed birds and old gun cases remind me a little of the things shipped in to decorate a new pub, or indeed a new branch of a country-inspired brand.
But there’s nothing inauthentic here. Campbell’s has been outfitting people in the area since 1858, and is still doing so. People come for caps, for bags, for shooting vests and plus-fours, and much of it can be made by a bespoke team in the workshop.
These kinds of activities are becoming increasingly dominated by tourists, especially Americans - that’s a live subject in the Highlands - but Campbell’s also supplies the people that work on the local estates, and take the tourists around.
It’s natural that I - and I think most PS readers - would react positively to this kind of place, where heritage is very much underplayed rather than overplayed.
Oh, and of course, it helps that they had the Royal Warrant for the Duke of Windsor.
John’s family were historically weavers in Huddersfield. After college, he did an apprenticeship at Johnston’s of Elgin, spending two years in the mill itself before moving into sales.
“Campbell’s was one of the places I sold to back then,” John (above) says, “but if I’m honest I found it a little boring. I could see the character, but it was very different to the modern shops I was selling too around Europe.”
It was only after leaving Johnston’s, and a few years at Mackintosh, that Campbell’s of Beauly came up again - this time at the suggestion of his father. “At first I couldn’t see the appeal, but Dad presented it as an opportunity, as somewhere with a lot of tradition that hadn’t been changed in a long time.”
Campbell’s was owned by three siblings, descendants of the founders, who were all in their seventies. “They were wonderful,” says John. “They gave us three years to buy it out, and they were keen to sell to a family, to someone who would live above the shop. I still have lunch with James [Campbell] most weeks.”
Change came slowly, and it took John and Nicola four years to get the shop to break even. One of the things they did early was streamline suppliers.
“Campbell’s used to work in a very haphazard way, which was quite standard then,” John says. “For example they bought knitwear from every mill in Hawick, which made for scattered stock. They’d phone around and see who had navy V-necks when they needed some, for example, even if the details were all different.”
That was the case with ends-of-lines as well. It was normal to buy several different shades of grey gloves, for example, because they good value. “You can do that in a shop to an extent, because people can see what they’re buying,” says John. “But it can’t work online.”
It’s the online business in the past few years that has really been transformative.
“Marcus at Nitty-Gritty in Stockholm was a good friend - I used to take my squash racket over when I went selling, and we’d play together,” says John. “I remember him saying to me, be careful with online, because it’s not as easy as everyone thinks.”
He meant things like photography, customer service, and returns and exchanges, all of which require investment. John did that, and this year online will account for 50% of the Campbell’s business, from less than 10% at the start of Covid.
“The great thing about this is that we sell all year-round,” says John. “Because the Highlands are cold, we can sell knitwear all the way through the summer. Spaniards and Italians come to escape the heat at home, and even if it gets to 20 degrees in the day, it drops right down in the evening.
“Then in the winter, the shop is quiet, because nobody comes here. Large parts of the Highlands shut down for tourism. But we sell online to everywhere else.”
I personally bought some gloves, a headband and a beret for my wife and daughters when I visited Campbell’s last month, and I can attest to the quality. It’s all solid, traditional stuff, often made in Scotland, and fairly priced.
The tweed you see when you enter the shop - sitting on shelves that somehow are actually 150 years old - is largely estate tweeds, so heavy, bulletproof stuff designed for the Highlands. (See tweed guide here for more on the different types.)
Some of them are exclusive to Campbell’s, but many are not. “We do small pieces with Lovat, and I go to every archive sale to get old bolts,” says John, “but we’re not big enough to buy full exclusive pieces.”
I found most of the colours and patterns too rural for me (not surprising, given they’re not aimed at a city-dweller like me) but I did have a jacket made out of Saxony tweed 82053, which proved to be very nice. That’s it pictured below, made by The Anthology.
John is also adding more shetlands - softer, lighter tweeds - to the range. “Locally, people want the estate tweeds but online it’s different,” he says. “There they’re more likely to want things for making with their tailor in London or New York.”
The bespoke workshop at the back of Campbell’s uses these tweeds to make country clothing to order. It’s run by Lara (above), a cutter whose background is in theatre and runs a team of five (including one intern).
It’s proper bespoke, but their strength is things like kilt jackets and plus-fours, rather than the kind of suits we normally cover on PS. It is decent value though - jackets start at £2000, plus fours at £750.
Kilt jackets is what Campbell’s makes for King Charles. The company has a long historical connection with Balmoral, and had royal warrants from the Queen Mother as well as the Duke of Windsor when he was Prince of Wales. The King likes to spread things around though - his kilts are made by Kinloch Anderson and his socks come from elsewhere too.
It helped put the new Campbell’s on the map immensely when the King opened the new workshop in 2019 (below).
John and I talked a fair bit when I was up there, and we chatted on the phone again for this piece. I realised one reason I wanted to support Campbell’s so much was that we both know traditional makers that are going out of business - and that this was one that has been saved.
“It’s scary Simon seeing how many mills and other suppliers of ours are in trouble. Demand is not always the problem either, it’s the fact people don’t want to go into the business. I love a hand fashioned shetland, with the V-neck put in by hand and the saddle shoulder. But people don’t want to offer that anymore, because they can’t rely on the labour,” says John.
“It’s got so bad that it’s made us think whether we need to start some old machinery ourselves, just to keep it going.”
Of course you, dear readers, are unlikely to be in a position to go to Scotland and become a mill worker, but you do know the value of this craft and what happens when it’s gone. So please do support Campbell’s and other places like it whenever you can.
Hello Simon
That’s s fabulous photo of the King..
Wonderful colour palette and the blue lapel flower is lovely.
I’d love to delve into this. Is it purely on objective terms you like this picture or is there more to it? I’m fascinated by how much covered Charles gets on this site over the years.
Weirdly, Richard, I never really covered Charles that much until I did this piece a couple of years ago. Rather like Bond, I was always put off by how many people idolised him, without really being specific about why
Dear Simon
Has Charles switched to single-breasted from double-breasted which I first noticed at the Trump visit when Elisabeth was alive as part of a new image campaign?
I noticed Charles’ double-breasted jackets never had pocket flaps, but were merely jetted. Have you noticed if his single-breasted suits continue this?
Thanks for your advice in the discussion of the article featuring top Fox Douglas Cordeaux with hands in pockets not to wait too long to have my torn cloth of and around my double-breasted blazer pocket flaps repaired, but I think the cloth quality and sewing of my RTW Charles Tyrewhitt models was inferior quality.
From what I can see he has switched, yes. I don’t know on the flaps, no
He continues to wear both.
Hello Richard. Very much a first impression. I had not seen this image before this post , and was mmediately struck by the mix of colours and how well they suit him..
Perhaps It also shows how his ( or anyone else’s) “uniform ” does not have to be boring or predictable.
Just to add It could haven been that the silk handkerchief, flower, watch and signet ring could be .”too much” but as Simon has commented previously, it is in the execution.. .
What an amazing place, yet another reason to plan a trip to Scotland.
It is great to see something so traditional receive the careful adjustment needed to become a sustainable business.
What a lovely article and what a fabulous looking place, I’m just itching to go visit and smell those bolts of tweeds, I always think woollens have such a unique aroma. I’m so pleased they have saved this company, it’s a total joy.
Really nice article! The tweed you had your jacket made in is 20oz according to the website, how does that wear?
Fine actually, a heavy tweed certainly but not stiff and doesn’t feel anything like a coating or something. I don’t notice much difference from, say, 15oz
Hi Simon,
I have a question on the Anthology jacket / fit as i am planning to get a sports coat made up this winter and deciding on who to use. This particular jacket looks fairly structured in the shoulder compared to most of your other jackets and noticeable against the brycelands MTM you wore on the same trip. I think i prefer the very natural shoulder of the bryceland. I find the Anthology jackets do tend to look fairly structured in general even though they tell me they are completely unstructured and a natural shoulder. Do you know why this might be? Does this particular jacket have any padding? I guess it may be required if it is a heavier fabric.
Thank you.
Chris
I think it’s more a question of style than of padding Chris. The line the shoulder is cut at, how high up the collar it runs, and the sleevehead construction can all be just as important when it’s already a fairly soft shoulder. I would go with the Anthology only if you like how the jacket looks, otherwise use WW Chan
Hi simon,
On the topic of the tweeds. There are two similar clothes listed on their website. Your jacket is made from one of the two. Hard to tell on their website photos. Have you seen both in person and what do you think between the two.
https://www.campbellsofbeauly.com/shop/house-tweed-82053/
https://www.campbellsofbeauly.com/shop/house-tweed-82060/
I didn’t see the other one Tony, but it looks very similar just a green?
“Oh, and of course, it helps that they had the Royal Warrant for the Duke of Windsor.”. It helps even more that Campbell’s of Beauly was awarded a Royal Warrant by King Charles III in May 2024 – in his first llst which was largely made up of his favourite suppliers..
Yes, as I say in the piece Kent, they make his kilt jackets
Yes, I have also been a customer of Campbell’s for many years.
My point was that the company was one of the first companies to get a Royal Warrant from the King. A warrant from the reigning Monarch is far more important for business than one from the notorious and controversial Duke of Windsor.
I’m sure it is. For menswear guys I’m sure there will be a particular appeal to the DoW’s as well
I think that the DoW is noted here because he was (is) something of a style icon, as is King Charles. as seen in that lovely photograph.
I’ve got a couple of Fair Isle slipovers from Campbell’s. Magnificent patterns that can’t be found anywhere else. Truly among the favorite items in my winter wardrobe!
It’s a great looking and authentic shop. As someone who is an avid wingshooter and fly fisherman, I am always a bit “on guard” about a premises that decorates with taxidermy and shooting kitsch when you know that it neither supplies actual gear nor has much of an outdoorsman client base. Campbell’s need not worry about either of those things, and it is beautiful.
The next time you are in Edinburgh give Stewart Christie a stop, it is a shop with the same old tweed feel and they do a great deal of their work (especially bespoke) themselves. I love the staff and they are investing a lot more now in their women’s offering.
From personal experience they make an exceptional kilt too.
Agreed. Stewart Christie is excellent.
Simon – I’m curious about the following comment “these kinds of activities are becoming increasingly dominated by tourists, especially Americans – that’s a live subject in the Highlands.” Is that the all too familiar issue of old traditions dying out, too many tourists taking things over, or something else? Would love to hear more about the context behind that.
The store looks fabulous – just wish I had known about it last summer when we were in the Highlands and the Outer Hebrides!
Yes, that’s broadly the issue. Not so much the old traditions dying out, but lots of tourists, mostly Americans, wanting to come to the Highlands and do activities like these.
The Highlands doesn’t have much infrastructure for tourism, and the places that there are close during the winter. So local attractions can easily become swamped, and that naturally affects the local nature of places.
Some of those tourists – only some, I should emphasise – are also not that sensitive to these issues. It’s the case everywhere, but particularly somewhere that’s actually so small in terms of people and places.
Simon, as a prospective tourist from America, would you recommend I avoid the Highlands? Or is there a way I can visit the area sensitively?
Very good question Andrew. I would think that as long as you approached the trip in the right frame of mind, and perhaps avoided the very busiest times, you’d be fine.
It’s mostly about attitude – when I was a backpacker, the attitude was always that you wanted to fit in, to be with locals and experience local life. The last thing you wanted to do was go somewhere where all you saw was foreigners. What was the point of that? I think if you have the same mindset you’ll do well.
By the way, it’s also why I don’t understand the tourists – mostly Middle Eastern – that have flooded Mayfair in recent months. In the places they go, you only see other tourists. And they spend their time taking pictures of designer shops that are in every other major city in the world.
Simon it’s long established that people from Middle Eastern countries travel to Europe to escape the heat during their peak summer months. You will see them in London, Paris, Rome etc and of course shopping is a major pastime for them here as it is in their own countries.
Thank you Paul. Yes I’m aware of this, and that is a different reason to travel than being a one-off tourist. I do wonder though why they spend so much time taking photos of the Bond St stores, if they’re here every summer and those stores also exist (of course in smaller form) in their home cities.
The volume of people has increased substantially in recent years as well, which tends to flood many of these areas. But that’s a separate topic and one that applies to lots of types of people in lots of parts of the world.
Thanks for your insight, Simon. As a less than gregarious individual, my instinct is to avoid imposition on any locals if I can help it. More quiet observation of the hills and water, and certainly less following of the flock to ubiquitous stores. But how about tourist destinations like whisky distilleries where foreigners like myself will most likely congregate?
There are enough distilleries around to make that not so much of an issue I think Andrew. And I think readers would instinctively pick smaller ones that weren’t so big and touristy anyway.
It reminds me of going to Russian River Valley years ago. The smaller vineyards were always more attractive to me than the big ones that felt like brands
Speaking as an American this is obviously not unique to my countrymen although we may be the most visible target. How to travel abroad while maintaining sensitivity for the local community is a challenge with two active boys. I set basic ground rules which my sons find ridiculous…collared shirts, no T-shirts, no baseball caps, no shorts in the city center and behavior akin to visiting someone’s home. After all, we are invited guests and we need to act accordingly. What I can’t control is the money we inject into the local economy which is considerable but is likely disruptive for those who don’t participate in the tourist trade.
That sounds very sensible and sensitive Robert. I think it makes a big difference not going round in big touring groups as well.
Interestingly I think Asians are usually the most visible target in places like these, particularly historically – the cliche in the UK used to be the Japanese tourist with the camera round his neck, and that was replaced with the Chinese later on
Great article! Congratulations to John and Nicola for their fortitude and efforts to save such a treasure.
My wife and I last visited Scotland in October 2019 and I wasn’t aware of Campbell’s at that time but certainly was in the area. The country is beautiful and feels much like my home in the Appalachian mountains of northeast Tennessee.
I look forward to returning soon and will definitely have Campbell’s on my list to visit!
I hope 2025 is a great year for everyone!
Gosh, their prices have gone up… I remember ringing them and getting a price of about £600 for a bespoke jacket about six years ago. They do seem to have spent a lot of money on marketing, and the royal warrant has probably spread the word/gone to their head. But it’s good news the business is burgeoning.
It’s a shame that there are no other bespoke tailors in the Highlands (although the Sutherland Sporting Tweed Company does estate tailoring also) and the rest of Scotland – outside of Edinburgh and a lone tailor in Castle Douglas – has nothing to offer. Haggart’s of Aberfeldy was another traditional sporting outfitter (and royal warrant holder), sadly now defunct.
The King’s tweed (non-kilt) jackets are also lovely – and he does like details like gauntlet cuffs. I suspect they’re made by Anderson and Sheppard.
Frankly K, their prices should go up, it’s not possible to run a bespoke business on those kinds of prices. But they took a while to update the bespoke side, once the RTW was in better shape
It’s unfair to omit the fact of inflation when one mentions price raise – the causes of which are very nasty and ip to the readers’ imagination.
The tailor in Castle Douglas is G Livingston – https://glivingston.co.uk. IIRC Andrew Livingston had a spell at Huntsman. He offers bespoke, MTM and RTW. It’s worth mentioning Stewart Christie in Edinburgh which is the city’s leading tailor. It offers bespoke, MTM and RTW for Highland wear and estate tweeds – https://stewartchristie.com.
Must say the flexibility they are offering to online customers are limited. 4 pounds per tweed swatch, no shipping cost estimate before providing your credit card info (and the cost is probably high), all tweeds must be purchased in 1m not 0.1m (you need to buy 2m even you only need 1.1m).
Wanted to try them after seeing your Anthology jacket but seems online customers are not a priority.
That isn’t really their focus Wayne – selling cloth online. People can do it, but the cloth is really there for people to have clothes made out of when they visit.
Wearing my grey Campbell’s shawl collar cardigan right now. Bought online, very good value, fit and quality indeed.
Beautiful!!
I’ve been to Campbell’s in 2005 when under previous ownership and I probably didn’t realise the full significance of this wonderful shop but I would love to get back and at least get a jacket in one of their exclusive sturdy “bulletproof”fabrics.
It’s just great to know that Campbells has been saved from obscurity when many have gone to the wall.
Long may they continue and prosper.
Simon, what about Dick’s shop in Edinburgh?
Might be worth a wee review as I certainly intend to visit that on my next visit to Edinburgh, hopefully soon!
And, I think that there is still a bespoke tailor there too.
Edinburgh itself may be worth checking out for a review one day!
I think you need to search the site more Lindsay! We covered Dick’s in 2020 when they won our award
Another oversight?
Sorry!!!
The royal warrant thing is never something that really appeals me. I feel totally indifferent to it and don’t really see it as signifying anything relevant to me or my tastes. I’d like to see more of the people who actually wear this stuff as intended.
Did you have a chance to try their knitwear? I’m considering them for a while, and I’d be curious to hear about the fit. It looks very nice but rather long in the body on the models.
I didn’t, no. I bought a piece for my daughter, which is lovely, but I couldn’t comment that much on the fit
Thank you
Having ordered online, indeed the fit is rather long in the body. I was able to size down to an M even though I should be an L based on the size table.
Quality is exactly as expected for good Scottish knitwear, and they offer good value.
Nice style shown by the guy in the houndstooth jacket and burgundy sweater. And on the subject of tweed shops, about ten years ago I got some great stuff at a family-run tweed store in Dublin, Kevin and Howlin.
Great post. After getting Campbell’s of Beauty emails (and/or having been subjected to some sort of “highland tweed” and “shetland knitwear” algorithm) over the last few years, this ringing endorsement makes everything right and special. Thank you.
Lovely to hear Ignatius, a great service to be able to provide
As an American, I couldn’t help but notice that in addition to a lovely Triumph in one picture, the tail lights of a Ford Mustang are in the foreground. An American muscle car in the Highlands just doesn’t feel right. And perhaps it’s the angle, but the trim does not seem to line up very well. You have taught me far too well to notice details.
I really, really love articles like this one! It’s for me (an Italian) the way to look to some traditions very far from my everyday knowledge.
Lovely to hear Al, thanks
Thanks for this!
The last paragraph of this article makes clear a point that you have been hearing more broadly in your coverage of traditional makers. Demand for quality (at a certain price point) is there and remains strong. But there seems to be a breakdown in the ability to continue many of these crafts using the same traditional methods due to labor shortages.
The more I think about it, the more I am convinced that the problem is not that young folks are not interested in entering the trade, but that the pay is simply not competitive with other factory work or manual work generally.
In the context of knitwear the Italians have (wisely or unwisely) automated significant portions of the manufacturing process. They decided to ditch tradition in favor of ‘innovation.’ They still provide superb quality- but it, for the most part, lacks the ‘charm’ of a handmade knitwear garments.
The downside of these innovations is the creation of a ‘hard cap’ on the price that Scottish or Welsh makers can charge for their knitwear. Simply put, it has to be roughly in line with Piacenza etc. to sell well. I might love the distinct character and feel of British knitwear and be willing to pay more for it, but I think that even most menswear enthusiast are not willing to. Case in point is that even heritage British brands such as Turnbull & Asser’s recently switch from Welsh (Corgi) to Italian knitwear. I similarly see more and more made in Italy garments at Drake’s or The Armoury.
This ‘hard cap’ in turn creates a hard cap on the salary workers can earn in these Scottish or Welsh factories. This makes the economics unsustainable in the long run. I suspect that there is no way that these mills can remain price competitive with the Italians and also pay enough to attract young hands into the factories.
It is a very sad affair. I am not sure anything can be done to save the industry unless the government directly intervenes to preserve this craft. Otherwise they will either have to close their gates eventually or automate.
In the meantime I do try to support the industry by purchasing as many (within reason) Scottish and Welsh pieces as I can- because I fear that I will be unable to buy them in the future.
Shaoul
Thanks Shaoul, I think you’re probably right. But why do you think there is a ‘hard cap’ on prices? I think they should be putting prices higher myself, and Scottish knitwear could be seen as the worldwide premium. They would just require a small part of that to invest in some other things as well, such as management and a little marketing
That might be right.
As I see it, brands that are making the pivot like Begg are now adopting a more modern approach. They are tweaking with traditional designs that might cater to a more fashion conscious crowd. They are also charging higher prices- which I think is a positive thing!
But I think that there is a deep systemic problem here (although it might be solved).
Namely, how large is this target audience: (1) fashion driven, (2) has a large clothing budget and (3) apricates Begg’s truly unique craft. I sadly suspect that universe is small (just from a personal perspective- I really like the designs but haven’t bought anything that isn’t a scarf or a blanket).
And those who gravitate to the traditional designs (maybe with tweaks) are not likely to buy many of those items from Begg or Johnston’s for a higher price if they can still find many white labels (or lesser labels) that sell them for half the price (and roughly the same quality since they come from the same mills/factories). The most glaring example of this dynamic is that Harrod’s often deeply discounts white label sweaters that are made by Johnston’s while also selling Johnston’s at a higher/non-discounted price point.
The challenge as I see it is to get the crowd that shops at Campbell’s, Cordings or J. Press to pay more for the same stuff. And how do you prevent those shoppers from diverting to Italian made sweaters. I fear that the bread and butter of these mills has to become more expensive to preserve this industry.
So you might have pockets of higher prices and healthier margins like Begg, Corgi’s latest collaboration with Fox or Rubato- but how do you lift the prices of the rest of British made knitwear and still continue to cater to that broader audience?
I don’t disagree with you that that should be the goal, but execution might prove too difficult.
And to be clear- I hope that I am wrong!
Shaoul
I think it’s about a little marketing and a little design work, without going as far as Begg. Rubato is a better example – a very small team playing to a classic men’s audience mostly, that has already grown a lot and will continue to do so. The cheaper Scottish alternatives will just not survive because they’ll have the same problems they have now.
I also wouldn’t underplay how big this audience is. It’s growing all the time, and a lot of brands in our area, like Anglo-Italian for example or Private White, are really very big now. They sell a lot. They just go a little unnoticed because they don’t advertise a lot or have a lot of stores
Personally I’m surprised by how reasonably priced Scottish knitwear still is vs. some of the high street stuff for sale in Europe. I see dubious blends of wool and “polyamide” from Italian designers selling for 20-150% more than a Campbell’s (or Harley, Crabtree, etc) Shetland.
Simon — thanks for the recommendation. Prices are very fair and it’s a great women and children’s collection too. I’ve just placed an order for my spouse (cardigan) and I’m looking forward to seeing it in person. Will update if anyone’s interested.