I haven’t been good at posting pictures recently, so here’s an attempt to make up for it. Here we have images of the polo coat that has been documented in detail over the past few months, but of which I never posted a final image, and of the ‘fishy’ suit I commissioned most recently from Graham Browne. This was my first suit with braces (so with a fish-tail back) as well as featuring a fish-mouth lapel.

The fish-mouth lapel has a narrower gorge (the gap between lapel and collar), with the lapel angling upwards like a peak model but at neither the same angle nor to the same length. It is seen as a nice compromise between a notch and peak, though glancing around the various off-the-peg suits out there you will notice there are many variations on the notch, both in size and angle.

There are essentially two variables – the angle of the seam between lapel and collar, and the size of the gorge. If the seam is more horizontal, the lapel is flatter and sticks out more, achieving some of the broadening effects of a peak. Many modern suits give the impression of a higher gorge simply by changing the angle of the seam. If the size of the gorge is bigger, both collar and lapel are pushed apart. This dates a suit from the 1980s as much as the height of the gorge.

Of course, the notch lapel is defined by the angle of the seam continuing in a straight line along the lapel. A peak and fish-mouth lapel both angle upwards, to a greater or lesser extent.

I like the braces – the trousers certainly hang better at the front and the waist is larger and more comfortable. However, I’m not sure I’ll ever get used to having something around my shoulders. The next commission (Minnis mid-grey flannel with patch pockets) will switch back to normal trousers. And this may even be altered to that style eventually.

I couldn’t be happier with the polo coat, though I am reconsidering the choice not to have turn-back cuffs. The style probably suits it better, but the camelhair is so heavy that I feel tired just at the thought of it.

The back of the coat, which featured so heavily in the pieces on its design and construction, is shown here in two different settings – mid and tight. As I am wearing a suit and cardigan underneath, the tight setting (close-up shot) is a little too tight for easy movement here. It would be used if I were just wearing a sweater.

Thanks to Dan ‘the trews’ for photography

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Do you mind sharing what fabric that suit is? It’s a beautiful blue.

Also, I think we might have the same tastes in suits. My next suit is also going to be a Minnis mid grey flannel with patch pockets. Been looking forward to having that made for quite some time. I look forward to hearing about your experience in doing the same.


That’s a lovely coat – I’m inclined to have something like that made up in navy with a velvet collar and set-in pockets, almost a cross between a Chesterfield and a Polo coat.


I don’t know exactly how I ended up in you blog today (I mean, I don’t know how many random links took me), but I really like the way you comment on clothing and your philosophy (specially the fashion cycle and the rules), so I have to say that your blog became an instant “must read” for me… I really like your coat (the fit, length and detail on the back)



How come your wearing brown shoes and not black ones? I thought it was “no brown in town” especially in London?

Best regards


Pity you’re not wearing a tie. OPEN-NECKED SHIRTS SIMPLY DON’T GO WITH SUITS! The suit and coat are great, but why spoil the whole look by going tieless?


Its so far off the neck (the overcoat), needs help.


This maybe sartorially sacrilegious but is it possible to wear a Polo coat with the collar turned up and if so is it button-able in that configuration? I’m looking for a double breasted coat to keep the wind out…


May I enquire how much Graham Browne charged for the coat?


Interesting, that’s less than I thought. Many thanks, they both look terrific and thanks for arranging the Pre-New Year discount. I certainly took advantage of it.


Hi, Would it be possible to have a closer look at the fishmouth lapel made by Graham Browne ?


thanks ! I’m looking to assess UK tailor’s ability to replicate a fish mouth lapel, camps de luca/arnys’ style..


Hi Simon,
Know you’ve mentioned elsewhere that the polo coat proved to be impractical partly because it wore so warm- is this on account of the weight of the material you chose or the camel hair itself? Would you advise away from camel hair entirely for coats or just to choose lighter weights (20oz?)?I’m considering a polo- style coat commison and have been weighing up whether to go for a classic camel hair or otherwise a camel- coloured cashmere. Thanks for any help!


Would you ever consider commissioning another polo coat? What would you do differently now, and what tailor do you think you would use?


May I ask why you wouldn’t consider camel anymore as a material?
I am considering getting a polo coat / double breasted overcoat comissioned myself but I am still debating a camel, cashmere or perhaps another sturdier fabric. I already have two other navy overcoats, one single breasted and one double so I would say the formality of the coat isn’t really an issue.