I wasn’t entirely sure whether I liked the look of the
embroidered suit cuff last time round, but the work sits much more naturally with velvet than worsted and I think the results here were stunning.
Inspired by a design of Claire’s that I had seen, our motif comprised two Hawthorn branches (suitably enough), one curving up towards the peaked lapel, the other following the line of the collar.
The work was more complicated than last time, because it was raised and because it involved gilt. The pattern is created by snipping the right length of gilt, looping the needle through the middle of it (like a chopstick through penne) and securing it by sewing through the grosgrain facing.
We went for an antique gilt rather than normal yellow gold as it echoed the tone of the brown velvet in the jacket. You can see the process below.
 |
| The gut-reaching bit: opening up the lapel |
 |
| The hawthorne design |
 |
| Sewing around the design |
 |
| Padding laid on for the Hawthorn leaves |
 |
| Thread the pasta |
 |
| The finished result |
 |
| The range of gilt work available |
Photography: Luke Carby
