Assisi handmade-to-measure suit: Review
It’s fair to say that since we first covered the Korean tailors Assisi here on Permanent Style, they’ve become extremely popular. They are now travelling to more destinations around the world, for longer, and we’ve seen many readers using them in London, New York and elsewhere.
It’s well deserved. The team possess two things that a lot of tailors lack: an awareness of style that means customers have faith in their cuts and fabric choices; and a technical proficiency that means they can deliver a fit that’s as good - in my experience - as the most famous tailors in the world.
One disadvantage of their popularity, however, is that their visits are not as frequent as other tailors. In London, for example, they’re only coming two times a year, where most would visit at least three or four times. This can mean bespoke - with its requirement for multiple fittings - can be a rather long process.
That’s one reason I wanted to review the teams’ made-to-measure, alongside the bespoke we’ve covered in the past. All my pieces have been bespoke, but I’d seen good results of the MTM - and given that service goes straight to a finished garment, it offers a much speedier result.
The Assisi offering is not like normal made-to-measure, which is usually something a brand offers from its factory, as a way to provide an altered version of the ready-to-wear.
Assisi uses the same tailors as its bespoke, but does a little more machine work in the chest and trousers and largely skips fittings. Interestingly, although they bring fitting garments to the trunk shows for MTM, they do then create personal paper patterns for the customer that are in theory more nuanced than most factory-made products.
Of course, we know that the refined fit of bespoke comes from the process of fittings, as a tailor gradually sculpts the garment to the customer and adjusts the paper pattern accordingly. But still, Assisi are doing the most they can to create a personal fit, on a product which has to be largely delivered as complete at the second meeting.
The perfect combination is probably to have a bespoke garment made first with Assisi, and then use the resulting pattern to order MTM going forward. This is something they’re happy to do, and while it won’t be quite the same as bespoke, it should be close.
I could have done that with my suit, but elected not to - in order to demonstrate what a pure MTM product from the Koreans would look like. The sacrifices I make for PS readers.
So I ordered a double-breasted suit in glen-check Fox flannel (CL2-224). I’ve always had a weak spot for glen checks - my first expensive suit was a glen check from Etro, I got married in a glen check from Purple Label (before I’d started bespoke) and my first Savile Row suit was a glen check from Anderson & Sheppard.
But today is not the day to discuss glen checks, and Princes of Wales, and how wearable they really are. That’s for a future date.
Today we’re talking about Assisi MTM, and that process began with trying their fitting garments when I saw them at Pitti. I was best in a size 40, and it was a good fit for me on the front - but not great in the back. This is the comment I often get from tailors, as I look like regular proportions from the front but my back has an S shape that can be tricky to work around.
The team took the usual measurements and photos, and we discussed style points like belt loops and cuffs on the trousers, as well as buttoning point on the jacket. Unlike some MTM, you can change quite a lot on the design of an Assisi MTM commission, because a bespoke pattern is going to be made anyway. MTM in a factory often uses set patterns, so there are more restrictions.
I received the suit when the team came to London in September. They like to deliver the tailoring in person, and then make small alterations if needed - things like waist or length alterations on the trousers, sleeve length on the jacket. Bigger things like the chest or shoulders on the jacket cannot be changed.
With me, we had to make a small change to the trouser length and sleeve length, but that was it. They then shipped the suit to me and I received it three weeks later.
The fit was very good, as I expected - not quite as good as my bespoke, particularly on the back, but certainly as good as any other MTM I’ve tried and better than some bespoke.
The images below are a good reflection of how clean the front is. The block is a good match for me which should be taken into account, but even so most MTM and many tailors struggle to get the chest that clean on me on both sides, with my right dropped shoulder sometimes causing problems.
The back has slightly more folds on either side than with my bespoke from Assisi - suggesting that could do with being lifted up a bit - but it’s not bad. Ignore the folds around my hips and seat, that’s just because I’ve been wearing and sitting in the suit all day (I usually shoot things when they’ve been worn a bit, it’s more realistic).
The handwork you don’t get with MTM is hand-padding of the chest (though the lapels are still hand-padded) and the construction of the skirt and so on inside the trousers. The change on the trousers I don’t notice at all, and while handwork there really is a lovely piece of craft, the difference in fit and comfort is a tiny one in my experience.
On the chest, I do notice a small difference in the way the jacket moulds to me - slightly less three-dimensional than with bespoke. It sits a little flatter and that affects the way the skirt hangs as well. But still, these will be small things for most readers. I doubt anyone other than an enthusiast would notice.
I’d certainly recommend the Assisi MTM therefore, at least for the type of customer than isn’t really into the craft of bespoke. The style is great and the fit very good too.
Going forward, I would still buy bespoke from Assisi if I could, but I can definitely see myself using my bespoke pattern with the MTM construction, particularly if it meant receiving something in six months rather than a year.
That’s good because Assisi’s popularity means they’re also cutting down on how much they offer bespoke. They don’t have the capacity for more and are actually trying to increase the quality and fineness of the bespoke side, which will reduce capacity further.
It’s not easy to work out how to deal with this level of demand - you want to make for everybody, but also not be away from the workshop for long, or start pushing out delivery times. I know the guys are trying to navigate this in the best way they can, but it certainly helps that their quicker, easier MTM is this good.
Details:
- Assisi MTM in the UK and US costs $2950 for a single-breasted suit, $3540 for a double-breasted.
- Bespoke, where available, is around 30% more.
- Most things are available MTM, an exception being raglan coats.
- It is available in sizes 46 to 56, which is the sizes they bring try-on garments for. Beyond that, they recommend bespoke.
- Cloth used is Fox Brothers CL2-24, 14-15oz
Other clothes:
- Bespoke shirt from D’Avino in ice-blue poplin
- E Marinella silk tie
- Canons bespoke suede oxfords
- Permanent Style ‘Exmoor’ collared knit
- Vintage horsebit black loafers





































I think the fit of this suits is pretty good overall, but there is one thing that lets it down, and that is the gap between the edge of the peak lapel and the bottom edge of the collar.
A really well finished peak lapel would have no obvious gap here, and indeed at the top end of tailoring these will often be sewn closed using invisible stitching on the rear face.
Thanks
Hi Peter,
Good point, though there is a bit of a style point there as well – not everyone wants those two to be completely flush, as visually it can make the two a little blocky. I know some tailors who see it as a failure if you have to sew the two together as well.
I would agree that the lapel gaps here are a very nice touch and putting them together would indeed make it look very blocky. I would argue having no gap would make it look unfinished.
It’s a good looking, well-proportioned suit and makes me want to go out and buy another POW check DB suit without delay.
Jacket seems a bit too snug in the shoulders, while the rise of the trousers is too low. This looks 2010s…
Interesting, thanks J. The shoulders don’t feel snug and actually tend towards the widest among the suits I have. Perhaps we can do a ‘Style Breakdown’ with this and some other more recent suits sometime, in order to compare those measurements.
The trouser rise is more of a personal thing of course, and I don’t like a really high rise on my natural waist. It looks too strange without the jacket.
I second that a higher rise, even slightly, would look great on you, with or without a jacket. Overall a great suit!
It’s strange to me how someone can make comments like this. Being polite and kind is unfortunately quite rare these days. It would be interesting to see your own appearance subjected to the same criticism. I’d say this style looks very modern today, and in my opinion Assisi, together with Saman Amel, represents some of the best contemporary style. A really high waist, on the other hand, feels very 2020 to me. 😉
Last year may those were bespoke prices…
Yes, it’s clearly an evolving business Martins and they’re working out what works for bespoke abroad.
without wishing to jump ahead too much, would you consider glen check or prince of wales more suitable for an informal sports jacket?
I don’t think the difference between the two makes much difference, both can be good but it’s mostly about the yarn and weave – the material. For an informal sports jacket you need more texture usually, but then this could work with or without the overcheck
Thanks for the article. Could I ask for a clarification? You write that you were best in a size 40 fitting garment but that they only offer this service in sizes 46 to 56. Am I missing some nuance in how fitting garments are sized vs the final suit?
Sorry Oliver, yes good point. They’re talking about European sizes, I’m talking in British. I’m a 50 in European
Hi Simon. Looks really nice. I love glen checks and POW. I have two flannel POW suits, one taupe SB that you saw in the review on T&G Caraceni, and one salt and pepper DB that Andrea is doing for me now. I can attest as well that they are much easier to wear than one may think. Merry Christmas! Andrew
Cheers Andrew, you too
Hey Andrew. You seem to love heavy flannel. What do you wear in summer? High twists or linen?
Btw, I have now received my Dugdale Fearnought cloth for a future suit commission. It is heavy at 500 gr and looks a beautiful mid grey (“Silver Grey Marle Herringbone”) very nice alternative to flannel.
These guys do such a flattering DB. I really think they get the width and angle of the shoulders perfect to make it look both masculine and a touch louche. I hope they add Los Angeles to their rotation!
Seems like a similar trade-off to what La Bowtique offers, with the difference that there’s more handwork there but no individual pattern. Two ways of doing almost-bespoke MTM!
Simon,
what is the price of just a jacket in MTM?
Good point, I’ll check
Single Jacket MTM $2360 USD
DB Jacket MTM $2596 USD
Single Jacket Bespoke $3360 USD
DB Jacket Bespoke $3696 USD
*as per their pricing in NYC earlier this Fall
Thanks RJ
Great looking suit and really well cut. I think this is the optimum for most people these days. You will look much better than anyone in a RTW suit without the very steep cost of true bespoke.
Yes, agree Amon
I think the Assisi style and cut suits you really well. My favorites of all the pieces you have had made.
Sacrifice noted and appreciated.
The jacket’s too wide below the buttoning point for my taste. From the 3/4 angle it makes the torso look very… trapezoidal. I know Assisi likes their jackets roomy.
I’d have also gone with a higher contrast foulard for the tie and striped oxford for the shirt to better complement the jacket texture/pattern.
It’s otherwise a nice fit.
Thank you Ben.
The width in the bottom may just be my hips and seat – it’s my shape unfortunately.
The tie has more contrast than perhaps the gloomy day reveals, and a striped shirt would have been too much pattern of a similar density. It would have required a much larger patterned tie for me
The patterns on different scales rule often doesn’t resonate with me. With finer patterns, I find the effect similar to heavy texture, and just as, e.g., an open weave jacket calls out for an open weave shirt, glen plaid calls out for a patterned shirt, so long it’s light-on-light and not exactly the same as a pattern elsewhere. I quite like this ensemble for example—it wouldn’t be as coherent were the shirt in a solid white.
Hi Ben,
Thank you, nice points. I know what you mean about the glen plaid – for me it’s a trade off between shirt and tie, in that I’d like a pattern in the shirt but then I’d do a plain or larger patterned tie. I’m wearing one today in fact – blue/white striped shirt with a grey wool tie.
Peter’s example there is nice, though the tie pattern is a larger scale than mine. Those work well together in terms of scale of pattern because the tie pattern is large enough and the hank doesn’t have a small pattern either.
On a much more personal note, that kind of look is also one I would perhaps admire but is not for me. It feels a little studied with all the patterns and the handkerchief too, and I’d wear a plain tie with that kind of combination. I wouldn’t wear a white shirt, but a plain blue one would be OK – or perhaps better, a denim or chambray so there is some texture instead.
Thanks for the stimulating conversation!
I thought the tie looks great!
How would you compare the Anthology and Assisi Simon?
Assisi tends to cut a roomier suit, with a slightly more vintage feel. The make is soft but the aesthetic is more similar to something like Milanese style than anything else, with emphasis on the shoulder line and generally longer lines elsewhere.
The Anthology are changing slightly, but historically have been a fairly close fit, with a rounded style that is more Neapolitan with some Florentine influences.
The make on both is good, but I marginally prefer Assisi in terms of the finishing (styles of buttonholes, edge stitching etc) and general fit.
Let me know if there are any other aspects you wanted to ask about.
Very helpful, Simon. Thanks.
Would you consider the anthology suitable for business wear? I am having separates commissioned with them at present and weighing up whether to use them for business suiting, or to stick with W&S who have covered my business needs so far.
Yes I’d say so. Have a conversation with them, as you might want to have less pick stitching or something for example, but they can definitely work
PM, how does the Anthology compare to W&S in your experience? Perhaps Simon can also comment on the differences in style, as the Anthology seems to incorporate some formal details, like slight shoulder roping, and appears to draw inspiration from both English and Italian tailoring
W&S is rather sharper and smarter in my view – still drawn very much from the tradition of English tailoring, whereas the Anthology is more from breeds of Italian tailoring
Simon has summed up my own thoughts accurately. W&S is more structured, and probably more suited for business attire if I’m honest. I feel it classically English and I like that for my work (although I am not English myself!).
I envisage continuing with W&S for work, with the Anthology for separate jackets etc.
Thanks PM, good to get the personal experience added
What about Ciardi? Would you still commission them now that Assisi has appeared?
Yes, I would. Ciardi is a classic Neapolitan make and style and it feels quite different. In general I would tend to get smarter suits from Assisi and not Ciardi, and sports jackets from Ciardi, only DB jackets from Assisi, though there will sometimes be some overlap
Hey Simon,
I saw a video with Buzz on youtube and he mentioned a new store is opening…
Do you perhaps know if it might be a permanent London outpost?
I know they’ve been looking at that for a while, but as far as I know nothing is confirmed. They are moving spaces in Hong Kong, so he might also have been referring to that
Dear Simon, could you please expand a bit on the direction the Anthology is moving towards in terms of style?
Just that they are often fitting things in a more relaxed way these days, with a little more room
I think it the whole look and fit look incredible.
The suit reminds of me the works of cifonelli for some reason
Hi Simon! Your comment about the shape of your back brought up a question for me. I’ve thought before about weight fluctuations and the longevity of tailoring. Do postural changes matter as well? I’ve just done quite a bit of postural restoration work and the shape of my body genuinely does look different from the back. I suppose this is veering more towards statement rather than question, but do you have any thoughts/experiences/anecdotes on tailoring and posture?
I think that will make a difference Kendall, at least with tailoring. Even the posture differences that come with changing weight make a difference to how a jacket sits on the neck. Have you not seen this already with tailoring you already own?
My ability to disentangle the effect of weight changes, posture changes, preference changes… I would not describe it as excellent. Thank you!
Oh sorry, well hope I helped a bit!
So why they called themselves Assisi? Why do they need to remember an Italian city? Isn’t enough the job they do?
I believe it was simply a place they loved, but I can get more details if you’d like
Lovely suit Simon.
I have a similar SB grey PoW suit (in Fox’s old heavier heritage flannel) which I wear at times with a Black Friday polo or a black roll neck. These images makes me wonder if a pique polo works in making the suit more causal or if the contrast with flannel is too great. What do you think?
I think it could look a little out of place, yes Noel. I’d stick to knits if you don’t want regular shirts I think
Would a black denim shirt work, or might it also be out of place?
That could look nice, yes
Excellent suit. What are the dimensions of the Marinella tie? What tie width do you prefer these days Simon?
Thanks. It’s 8cm, and I generally prefer that or 9cm, but to be honest the bigger thing is really the shape around the bottleneck, not being too thin there. That makes a bigger difference to the look of the tie than the width at the end of the blade
Thanks, Simon. It’s interesting that while lapels have (thankfully) returned to a more standard width of about 10–11 cm, tie widths have stayed slimmer at around 8, at most 9 cm. The contrast looks harmonious today, though it seems to break the old rule that the two should match.
Do you find that the shape around the neck depends on the length of the tie, or is it more a characteristic of the maker? Is it something that can be measured?
It does depend a little on the length of the tie, yes, and how short you wear it (eg with higher trousers you might tie the tie to be shorter). This is because the tie narrows continuously through that area, so it depends at what point you do the final wrap around the knot.
It can be measured, as you’re measuring the width of the tie at that point, but as I said it depends how you tie your tie as well to an extent.
In terms of ties and lapels matching, I think it’s important to remember that lapel width in particular is really about proportion across the chest of the individual. If making for someone, a tailor would not cut the same width for someone with a 36 chest and someone with a 44 – the proportions would be very different.
I’d also say 11cm is pretty wide, historically speaking. On myself with a 40-inch chest, I wouldn’t go beyond 10cm probably and 9cm might even be closer to average historically.
Thank you, Simon.
Lapel width of course is not a straight forward measurement, being influenced by how low the buttoning point is set, the lapel curve and importantly the height of the notch.
Notch placement has been relatively high for some time. The return of 1990s aesthetics seems to suggests a shift back toward lower notch placements. Do you see this as well? Is there in your view such a thing as a truly timeless lapel?
No, there has never been such a thing as a timeless lapel. They vary over time, but fortunately they do so slowly and if you stay with moderate versions of the style of the day, they will last many years – often these things take 20 years to fully change.
If lapels aren’t timeless, this piece of advice surely is. Thank you, Simon.
Simon, do you happen to know when the Assisi guys are coming to London? Cheers.
Not yet, sorry Will
I was a bespoke customer, but I was just told via email that Assisi no longer offers bespoke. Simon, what do you make of this change?
I think it’s a real shame, as the bespoke was so good. But at the same time, the MTM they did for me here was almost as good and the timelines work better for most people when they’re only visiting twice a year
What is the reason? Doesn’t your article say they are focusing on improving their bespoke product?
Yes, that’s part of the reason. Also there have been some ownership changes that mean they’ve decided to focus more on the handmade to measure
No more bespoke?! Why would they do that…Is it only for customers in London?
I don’t know the full reasoning, but I think it’s partly because of how often they’re coming here, and how long it potentially takes someone to have bespoke as a result.
To be clear, also, they are still completing all existing bespoke orders, just not taking on any new ones.
Hi Simon,
I’m based in Singapore and wanted to get your sense of Korean and Japanese bespoke tailors. My current tailor is retiring and I haven’t found the same level of cut and fit with others over the years.
Was thinking of either heading over to Assisi &/or Sartoria Raffaniello. Wanted to get your thoughts on Korean and Japanese bespoke tailors. Personally I have a number of suits mainly using fabric from Zegna and other Italian mills.
Looking to expand the wardrobe with 2 piece, 3 piece and adding a blazer or two.
Love to hear your insights!
Hi Michael,
Can I ask whether you have read my articles on both Japanese and Korean tailors already?
There is a dedicated article on Japanese ones here and then a separate one on Ciccio.
For Korea, there is a general article on Korean tailors here, and then separate ones on Assisi, B&Tailor, Luca Museo etc.
Let me know and then I can answer more specific questions you might have that aren’t answered there