Tranquil House cashmere jacket: Review

Monday, June 2nd 2025
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I recently received a cashmere jacket that I commissioned from Donghyun Kim, a Korean tailor who goes under the brand name Tranquil House, in Seoul. 

The jacket has some minor issues, however, after four fittings now. We had two in Seoul during the week I was there, and have since met three other times - two fittings in London and one final meeting last month. 

I thought Kim would be a useful one to cover, as in the burgeoning area of Asian bespoke he’s one of very few that offers an English style. Although tailors in China, Japan and elsewhere originally came from something of an English tradition, they aren't that close to that now. And most modern tailors in Asia trained in Italy - or draw their inspiration from it. 

Kim was a cutter and tailor at Cad & The Dandy for three years before moving back to Seoul, and he has a lovely modern, airy studio where he also develops ready-to-wear. Some of it is very nice, and it’s all creative and unusual. I particularly liked the heavy-canvas work shirt below.

The fittings in Korea were OK. The balance of the jacket was good by the time we got to the second one, in the actual cloth, and it seemed to be sitting well on the neck and shoulders. 

The sleeves didn't look too bad either, but by the time we had the third fitting in London, the top of the sleeve looked tight, with prominent creases running across the top of each one. There were minor issues around the back of the neck, and the skirt sat out slightly, so Kim took it away to work on again. 

At the fourth fitting, he said he had recut one sleeve and they did both looked improved, though there was still a little tightness and he seemed to not know how to fix it. He also said he wanted to try again, this time with a wider shoulder, so he had made a heavy, Russell-check tweed to do a first fitting on. 

That last meeting was in April. The sleeve issue was definitely minor now - the kind of thing you wouldn’t notice among a raft of bigger issues on a ready-to-wear jacket, and probably wouldn’t notice on a made-to-measure either. 

The body fit was also perfect, beautifully smooth and balanced, as good as I’ve seen from anyone. But the sleeve still wasn’t dropping smoothly.

The Russell-check jacket looked more promising, with the wider shoulders and perhaps the material helping - the cashmere was a very soft, vintage Zegna one, which is one of the hardest things to work with; thick tweeds are one of the easiest. 

My expectations had probably been raised by how good the other Korean tailors I had visited had been. Assisi, Luca Museo and B&Tailor had all produced very good fits after one fitting. 

For context, the issues were also minor compared to other less-than-positive reviews there have been on PS over the years, such as Robin Petterson or Biagio Granata. The Tranquil House product is still a good piece of bespoke, just not among the best I’ve experienced. 

The jacket is also finely made, with nice neat buttonholes and precise handwork; most Neapolitan tailoring is rough by comparison. I like the style too, which is sharp but fairly soft for an English make - more Richard Anderson than Dege & Skinner. It reminds me how flattering that longer jacket and straight shoulder can be on me, particularly with a lower buttoning point than I had in the past.

Tranquil House is also good value compared to other English tailors (suits start at $2900).

I never enjoy writing negative things about products or makers, even though Permanent Style’s reputation was to some extent made by honest-but-critical reviews. 

I also hate the fact that any mention of anything negative makes something a ‘bad’ review, no matter how many positive things are mentioned alongside it. In fact, sometimes a review like P Johnson is actually positive, but people just remember it for the furore in the comments. 

There are many things on the other side of the scales here with Tranquil House, and I hope readers take those into account. I would also applaud Kim for his openness to discussing what was right and wrong, and interest in putting it right. Like the review of Massura few years ago, I will always cover something again when there has been improvement or change

tranquilhouse.kr; communication is through email on the website

Suits start at $2900, jackets $2145. My jacket was in a vintage Zegna cashmere, but the Russell tweed shown is Porter & Harding 32248, in the Hartwist bunch, 19ozb.

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53 Comments
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Alexander

Good morning Simon. If one is new to bespoke tailoring and does not have the eye for all the minor details, with the level of tailor you work with would you expect the tailor to pick these details up or is it typically a client driven process with the tailor keen to get the assignment signed off?

Alexander

Would it be fair to say that if you were to have a second jacket made, the issues you had first time should be much less likely to reoccur (and therefore if you like the house style and value a long term relationship, it’s easier to square away the extra fittings)?

λ

The watchword here is honesty and you’ve done that here in this post.
The allusion to Cad and the Dandy is interesting of whom he was a former cutter but I’m also put off trying them out. I think transparency is important in any tailoring house, especially regarding the cutters.
There are several “home” tailors, particularly in London where it would be nice to see a review one day and have yet to be covered, particularly the ones in capitals:-
NORTON & SON
MEYER & MORTIMER
DAVIES & SON
STEED ( visits London)
WALSH & JEFFERIES
DENMAN & GODDARD
Cad & the Dandy
Oswald Boateng
Maurice Sedwell (Ramroop)
Hackett

Anon

Add Des Merrion and Sousters to that list please.

Λ

Indeed
Thanks
λ

Jackson

Definitely waiting on a Steed review myself!

Λ

Hope that goes well

Lindsay McKee

There is also the great veteran tailor MALCOLM PLEWS ; Bexhill on Sea, East Sussex who holds a Royal Warrant to the king as also does KNIGHTS TAILORING in Tidworth, Wiltshire and GEORGE GODDARD of Kings Lynn.

SPUD

It’s important that the precious nuggets of tailoring expertise that a apprenticed tailor of the old school like Malcolm Plews, and Joe Morgan and indeed Hitchcock need to be conveyed to those aspiring to commission a garment from them.
Steven Hitchcock, whose post on that beautiful coat I read in your recent post Simon being one of them and Joe Morgan in other posts.
I’m sure there’s a few others, possibly Bobb Bigg in Whitcomb’s whom you have covered in previous posts also.
The point that I’m trying to convey here is:-
Who are the veteran tailors who have yet to be covered and what could possibly be learned from them.
That’s why, I feel, there are the other aforementioned, and maybe yet others who should be covered before they are no longer with us!!!

Tony Mikelson

Nortons are basically the same as cad same product, no way about it.
Steed just another A&S jacket, same boat as Hitchcock & redmayne.
Oswald wouldn’t bother, the guy can’t cut a sandwhich.
Denman&Go have basically retired.
Ramroop only has is academy now and doesn’t even teach there. He’s off around the world.
Hackett cutter who’s just left was having it all made in Spain. Nothing wrong with that but it’s like advertising for a jaguar when your getting a Vauxhall. Hopefully with the new cutter this changes, god knows what Jeremy thought.
only one on the list worth giving a go would be Welsh & Jeffries with Mei cutting so sharp shapes
souster with his younger generation taking on the reins with ready to wear trainers they can’t cut unless it’s geoff
Des I’d go for, not a shit talker and make & cut. Has great banter on his insta

Anon

Tony

I think that if you are going to be critical about something you should at least get your facts right.
Geoff cut me a bespoke suit 18 years ago. Scott was by his side then, learning first hand from his father.
You will see a similar path trodden by Matt at Steed.
Selling trainers does not reflect on anything other than a pretty solid business approach of providing a broad range under one roof.

Richard

Hi Simon,
Whilst I’m largely more interested in the casual/smart casual aspects of Permanent Style, I know that it is a great resource for tailoring, whether bespoke or MTM. I intend to include more tailoring in my own style over time and so would want reviews, on any topic, to continue to be honest and critical. Constructive criticism helps development.
To use a hypothetical example, if you avoided providing feedback that is critical and perceived as negative to a brand/tailor then it could be detrimental in the long run. PS readers would likely purchase items from this company based on a seemingly positive review from yourself, only to then find that the quality is not what they expected which damages the company and PS’s reputation simultaneously – readers would lose trust.
A long winded example but hopefully you understand my point of supporting the critical review!
Cheers

Nick

Hi Simon, it’s interesting that you are having a russell check jacket made, I wouldn’t have thought you would go for a tweed like that.
I would be really interested to see how you wear it and your general thoughts on it. It’s a pattern that I have always really liked but never had the guts to go for it.

Rand

Simon,

Its interesting to hear you say that wearing a denim shirt with a tweed jacket would subvert the country associations as I typically perceive denim as country given its ‘blue collar’ and ‘hard work’ associations. To be fair this could be coming from an American Southwest perspective (born in Texas, lived in New Mexico, currently in Colorado) versus a British POV. I also recognize that a pearl snap shirt in denim inherently is incongruent with English tailoring so that may be what you have in mind versus say a button down in Japanese selvedge denim, which wouldn’t be as strong of a style gap to bridge as many may not even realize that the shirt is denim unless they specifically notice the fabric.

Best,
Rand

Other Aaron

I’m surprised at how excited I am to hear your thoughts on English cut jackets with jeans.

Joners

Hi Simon,
Hardy Amies says the English country gentleman basically gave rise to the clothing we have now and celebrated around the world.
And the English countryside has been the inspiration for some of the world’s great art, literature and poetry. So let’s celebrate it as Englishmen.
Go on! Stick a pair of yellow cords on with that Russell check. I dare you.

Robin

Having read PS for over a decade it’s just occurred to me but why do these issues with fit occur ?
The principles of tailoring are the same .
It’s the same body.
The techniques involved are the same .

Is it the ‘cut’ that creates its own set of problems ?

Am I right in assuming that given the times between fittings body changes would also effect the fit ?

P.S. the last paragraphs are very welcome as often readers have a propensity to favor any basis and take only that from an article .

Andrew B

Hi Simon – have you finally jumped on the Russel Check bandwagon? It is still my favourite tweed jacket. All the best. Andrew

Andrew B

Great, I hope you enjoy it!

Michael

That’s unfortunate. It’s a shame that the houses offering an English cut at a more accessible price often lack the technical skill to serve as genuine alternatives to the more expensive Savile Row establishments. Anyway, thank you for your honest review. I imagine your line of work is not always easy. Even when you personally like or respect certain tailors or brand founders and recognise them as decent and hardworking individuals, you still have to offer criticism when it is warranted, regardless of personal relationships.
As an additional question, do you think that tailor might have had more success if he had pursued a softer and more Italian cut instead?

Kevin

Speaking of Asian tailors, I have two commissions planned later this month with two tailors back home. Recognising the importance of building a relationship, I thought this would be a good way of figuring out if one is better than the other for future commissions.
Apart from the fit and overall experience, is there anything/anywhere else that you’d recommend I look out for either in the finished garment(s) or in the process itself? I seem to remember you mentioning that jetted pockets are a good area to scrutinise, for example. When both garments are complete I’ll definitely hand them to people in the industry back in London to get their two cents as well.

circumspice

Think about the fabrics you are picking – if one is working on a 12 oz Donegal tweed with no pattern, and the other an 8 oz lightweight with a plaid – the latter garment is likely inherently more subject to pattern matching and wrinkling issues.

Also contemplate if you are able to have all of your visits on this one trip – continuing our hypothetical, if you are just getting measured and having a first fitting this trip and your next trip and fitting will be in six months, your weight may fluctuate and this may again exacerbate the challenges with the lighter weight fabric versus the solid tweed

Peter O'Connor

Dear Simon

I find it very interesting to read about your experience with tailors in foreign countries.

It cannot be taken for granted that elsewhere the clothes tradition in which you are familiar is known or even that aesthetic feeling is shared.

I know many problems in alteration from my own experience in Basel and Bern. Once upon a time I heard of and met a German-Swiss lady who was trained in Zürich by an Englishman from Savile Row, but she is only interested in bespoke.

Renzo

Dear Peter,
Would you have any recommendations for alterations in Basel?

Peter O'Connor

Dear Renzo

If I answer and something goes wrong, will you blame me?

At present I conduct my newest experiment. Shoulder narrowing with simultaneous sleeve length shortening of two beautiful RTW double-breasted jackets. Charles Tyrwhitt in Reba wool with tiny stretch element on sale and genuine Richard James (not Mayfair) seersucker from House of Bruar, earlier season quite reduced.

Just awhile ago before I begun this experiment I replied to the email announcement a representative of Richard James with German name would take appointments in Zürich, merely asking for consultation about my jacket, but received no reply whatsoever. When I wrote again I received from the James bespoke chief a price list for bespoke. This was quite the opposite to the most friendly Huntsman cutters who welcomed me twice in Zürich.

My hope lies in Mr Giuseppe “Pino” Brusca, Bruderholzstrasse 28 – Atelier nähe Tellplatz. 061 361 42 68. If I correctly understood Pino, he began his tailoring as a child in Palermo. Pino gracefully responded to my objection shortened CT sleeve length was still too long and I shall soon
visit his shop to pick up both jackets and ask if he would shorten length of several RTW cotton stretch trousers from Cordings (one medium weight ripped in its crotch as I put it on) and incredibly reduced sale-priced
Hawes & Curtis cotton stretch 1913 suit trousers (in addition a well-used earlier H&C pair zipper is broken).
I buy always 38 cotton stretch unshortened and wash and dry them many times before shortening.

Pino contradicted my observation the Alfa-Romeo dragon is about to devour a human and claims it is a bird. I mentioned my error to believe a discarded flag I found is of Isle of Man, he confirmed it is Sicilian.

Please don’t hold a grudge against me if you are disappointed.

Peter O'Connor

PS: I received both altered jackers from Pino and now am 100% satisfied.

Peter O'Connor

CORRECTION! I tried to phone Pino and discovered his landline number is no longer valid. Please substitute:
+41 79 815 6772. Atelier Linea Uomo

Peter O'Connor

Correction: If I wrote House of Bruar it’s an error, I meant I bought the RTW Richard James (not RTW RJ Mayfair) at House of FRASER.

Zawaad

Some thoughts/questions on Russell Tweed:

It’s the same style as the Anthology x JKF Tweed?
Would it occupy a same or similar role as your Ciardi jacket made in the Anglo-Italian mix cloth?
Do you find it similar to your Ciardi jacket in the vintage gun club check?
If someone just wanted a versatile enough mid brown jacket, would you guide them to any of these above options, or more like your EDS herringbone cashmere?

Cheers, Simon!

Billy

Hi Simon, you say its “compared to other English tailors” but then list a price with a $ sign… I’m guessing thats USD? It would be exceptional value if it’s actually KRW (₩). Whilst US makes up a big proportion of readership you do have other readers using the $ and it not being USD. Plus in the context of “English tailors” would have thought GBP would have been the logical conversion.

David

Simon,
I don’t find anything disingenuous in your review – far from it.
By and large, flaneurs who commission bespoke are nice folk who have an interest in the artisan.
The problem with ‘some’ tailors would appear to be that they don’t have a RFT mentality and lack precision. Some also don’t recognise their competition. High end RTW (Zegna, Brioni, Anglo Italian etc..) offer great quality and with their MTM services, often a very good fit. If bespoke are to survive and flourish they have to recognise this.
Honestly, the hassle you’ve been thru’ with this just wouldn’t work for me and I’m no tantrum queen.
David

Eugene

Great review Simon. I doubt he would re-cut the sleeves for walk-in customers though…

Gianni

To be honest Simon, this review makes me want to try this guy. All bespoke tailors make mistakes at some point: it’s how do they respond to them?

First, he minimized the issues to the extent that he could. And second, equally important, he wanted a second opportunity.

Anyways. That’s just my opinion.

James

Hi Simon – really honest and balanced review, thank you.
Can I ask about vintage cloth as I’ve noticed you have commissioned a few jackets with vintage cloth now. How do you generally source this, is it from the tailor in question or is it from elsewhere. I like the idea – I’m a bit old school and like heavy clothes. Do you also find it’s easier to see the fabric ‘at scale’ rather than from a small swatch – ie does it de-risk that aspect at all.
NB – I say embrace the country vibes. I think there is a great tradition of British rural clothing that would be great to make relevant to the modern consumer (and to some extent, AngloItalian do this well).

James Fettiplace

Of course! Thanks Simon and look forward to it

Kinte

Those are some beautiful brown suede shoes in the sixth picture down!Can you confirm the brand?

JerryShao

Hope to see reviews of Taiwanese tailors someday. Haha