But the “bachelor flat/cum showrooms” of Thomas Cary (as he himself described it to me by email) are something else. As the pictures here amply demonstrate, the four small rooms on the upper-east side are stuffed from floor to ceiling with gentlemen’s collectibles and accoutrements.
From an old Dunhill walking stick with concealed blade to an Asprey catalogue featuring beautiful painted boards; from Christmas cards drawn by Cecil Beaton to vintage velvet slippers. And of course books, mountains and mountains of books. Regular customers include Ralph Lauren and Tommy Hilfiger, who have bought items both for display and design inspiration.
I had discovered Thomas while searching for a copy of Men in Style: The Golden Age of Fashion from Esquire by Woody Hochswender. Although only published in 1993 it is now out of print, and is the only collected edition of illustrations from Esquire or Apparel Arts as far as I know. Outside of this volume there are the original editions of both magazines, but they usually only contain a few plates and are much more expensive.
As I was to be in New York, and one seller on AbeBooks.com (Thomas) lived in the city, I thought it would be a good opportunity to check out the book. Little did I know the treasure trove I was discovering.
Thomas also owns several hardback editions of the original Apparel Arts, which are truly beautiful things. The adverts are just as attractive as the features – as those that have seen scanned copies on various style fora can attest. But I didn’t realise that they also include swatches of cloth tacked to the pages. Not big ones, but enough to give a prospective buyer a sense of the weight and handle. If only my pockets were deeper (the set of six is on for $4500).
I did end up with Men in Style though, which I was very happy with. Fans of classic style will be familiar with many of the illustrations, but it is lovely to have them collected and in one’s hands. And doubtless they will provide inspiration for many blog posts in the future.
[Pictures from Tina Barney’s portraits of the showrooms for Nest Magazine in Spring 2000.]