When selecting a cloth for an overcoat, what should you look for?

This might seem like a pretty easy question: you want warmth. That’s what an overcoat is for.

But how much warmth, and where it comes from, are not straightforward.

As with anything we’ve covered in this Guide to Cloth (and the sister guide, on Shirt Fabric), when you start looking into this area you quickly learn that there are several factors at work, including fibre, weave and weight.

 

 

Of these, weight is certainly the most important. And what weight to choose is always the first question readers ask.

Some mills start their overcoating range at 370g or 13oz, which is very light. It’s the kind of weight I’d recommend for a jacket, rather than a coat.

Most start closer to 500g or 18oz, which is more like it. Personally, I’d say someone buying a first good coat should be looking at 600-700g, or 20-25oz.

That would cover most weather in most temperate countries.

 

 

But there is also big variation around the world: in Hong Kong this weight would be too heavy; on the US East Coast it would be too light, at least for the real winter.

A good tip is to ask a friend – one who’s had a coat made bespoke or made-to-measure – what he thinks is a good weight for where you both live. Otherwise 20-25oz is a good rule of thumb.

My Cifonelli cashmere is 22oz, and I’ve found it good for most British winters. My Sexton (above) is 21oz, but rather warmer given its length, and it’s coped with New York winters.

My top coats from Vergallo and Ettore de Cesare (below) are deliberately lighter: 17oz and 14oz respectively.

 

 

Top coats moves us onto the next question: what weight should different coats in your wardrobe be?

If that first coat was 20-25oz, a second could be lighter to cover more of the year in a temperate country, or heavier if you live in Toronto.

A top coat would also usually be shorter, finishing just above the knee where an overcoat would be below it – which will also reduce its warmth.

Any temperatures between an overcoat and that topcoat can be accommodated with accessories: scarves, hats, knitwear.

That might seem obvious, but a lot of readers ask about these in-between days. And once you start thinking hard about weather-appropriate clothing, it’s frustrating when you feel you’re either under- or over-dressed.

 

 

The next consideration is fibre.

Cashmere will always be warmer for its weight, given its hollow fibres. And of course it feels wonderfully soft. 

The only downside is longevity. Cashmere is slightly more delicate than wool, and is more likely to show wear over time.

However, if you’re reading an article like this on coat cloth, you’re probably also the kind of person that will look after an overcoat well.

You’ll hang it up when you’re not using it; you won’t won’t wear a strap over the shoulder every day; you’ll brush it occasionally and rarely use dry cleaning.

In that case, don’t be afraid of going with cashmere. It may well last longer than a wool coat owned by someone who cares less. (Cifonelli cashmere coat shown below.)

 

 

There are other good arguments for cashmere (or other precious fibres). One is that if you’re having something made beautifully by a bespoke tailor, you should pick the cloth that work the deserves.

Another is that if you’re investing in such a coat, you probably already have another in your wardrobe already. So the cashmere won’t be worn day in, day out.

If this coat is to be your workhorse, worn every winter for years, then good wool might still be the best option. But don’t be afraid of paying more for cashmere.

 

 

There are also different qualities of cashmere. 

A high-street cashmere coat tends to be lighter, woven a little more loosely, and sometimes over-finished to make it feel softer. All these things mean it won’t last as long.

The mills that supply most bespoke tailors are a lot safer. But still it’s worth considering not just the weight of the cashmere, but how solid and densely woven it feels.

It’s a broad generalisation, but Italian mills tend to make such cloths a little lighter and looser, and are particularly worth checking in this respect.

As ever, asking the tailor about their experience is always worthwhile. They’re likely to have seen coats in a variety of cloths made up, worn, and come back for repair.

 

 

Among other fibre options, the guidance on cashmere also applies to vicuna, only more so: it’s warmer and softer, but also more delicate.

Camel hair, on the other hand, can be nice because it feels similar to cashmere but is harder wearing. However it tends to only come in a few colours – usually natural and navy.

Wool/cashmere blends can seem like the best of both worlds. But the small amount of cashmere will make little difference to warmth, so generally it’s only worth buying on softness.

If the cloth feels a lot nicer to you than regular wool, that’s fine. If it doesn’t, ignore it.

Usually that means 20% cashmere or above. (Such as my Bridge Coat, above.)

 

 

Other options include varieties of wool – often picked and then woven to be tougher or more water-resistant.

Covert cloth, for example, is a wool woven in a steep twill, to make it denser. It’s more robust than most other overcoatings, but usually not as warm (not being cashmere, and often being a lighter weight more suited to top coats).

Tweed is not a classic material for an overcoat because it is rather spongey, and therefore doesn’t have a clean, sharp line. But it is tough, and it’s hairiness makes it quite water-resistant. My Liverano overcoat (above) is made in such a tweed, and I’ve found it very practical.

Finally, casentino wool is in some ways a Tuscan equivalent of tweed. It’s heavily brushed to help trap air and keep water away from the surface in the same way. (Rake x Rubinacci version below.)

 

 

Water resistance should rarely be a prime driver for selecting a cloth, however.

Anything that really makes a coat close to being waterproof will sacrifice other things, whether it’s softness, drape or look.

In the end, if you want a quality coat, you also need to look after it. And that means carrying an umbrella, wearing a hat, or anything else to stop it getting drenched.

And any of these suggested cloths can cope with a bit of rain. Just hang it when you get home and let it dry naturally.

The same goes for synthetic mixes in overcoats. It might make the coat a little tougher, but if that’s your priority then you should be buying something else, like a trench coat or a Barbour. (Our collab trench below.)

 

 

As for colour or pattern, the guidance is pretty simple: versatility is everything.

An overcoat needs to be able to go with more clothing than anything else you own. Particularly as you’re unlikely to have as many of them as suits, shirts or shoes.

So for anyone that dresses remotely smartly, navy is the starting point. A plain navy double-breasted cashmere coat is perfect.

Charcoal is also a great colour for smart clothing (like my Sexton), but it never goes as well with tailoring in the same colour as navy.

The only advantage of charcoal is that it arguably goes better with black tie. But that only applies to those that go to several black-tie events a year.

 

 

My favourite option for a coat that can bridge formal and casual styles is mid-grey herringbone. (Connolly RTW version above.)

Somehow that colour and pattern looks smart enough for a suit but casual enough for cotton trousers. Particularly in a soft, relaxed cut.

If you only wear sports coats and trousers, or even more casual clothing, then look at green and brown coats – like my green-loden Vergallo (below) for example, or brown-tweed Liverano.

Anyone building a good range of coats could do worse than starting with navy cashmere, adding grey-herringbone wool, and finally something in brown or green.

Those three should be everything they’d ever need.

Photography: Jamie Ferguson @jkf_man; except hat/umbrella shot, Luke Carby, and navy close-up shot, Jack Lawson

 

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Phil

Since you say waterproofing comes at a cost, any comment on the Loro Piana storm system coats? They boast of almost magical water resistant properties, with no loss of quality. Can it be true?

Hugh

How are you converting g to Oz, Simon? I’ve always though Oz meant Oz/ yard^2, and that g meant g/ m^2. This would mean a fabric reported as 500g would ~ as 15Oz, and 370g ~ 11Oz.

Hugh

So when a mill talks about “Oz” they’re mixing imperial and metric units and meaning “Oz/m^2” or even “Oz/m”? Very confusing! That means when reporting the weight of a cloth there are free different interpretations for the actual mass of it…

[also] Hugh

That is indeed especially confusing, especially if not able to be seen in person apart from small swatches.

PS, I enjoy that there is another Hugh on PS. I’ve never met another in person

Marcus

Very good guide.
But why didn’t you discuss Loden as cloth although you own a Loden overcoat?

Tim

I’d like to hear more about your claim that camelhair wears harder than cashmere. In my experience 100% camelhair coats get worn down around the cuffs, collar, and underarm in a few years.

Gonzague

– aren’t all animal fibers hollow?
– I think alpaga is somewhat water resistant,
– are tweed fabrics (always) carded?
– do Escorial fabrics exist for coats? If so, could it be a good alternative to cashmere, being cheaper and possibly less fragile?
-have you ever tried a silk lining? It is said to be fragile and warmer, just wondering to what extent this is true. I am considering a lining made of Cupro and silk, I know it exists although I am struggling to source it.

GONZAGUE

Thank you. Is it by default or else how much does C charge for a silk lining?

Fastship

Escorial coating from their Escudo bunch is available by the metre at: http://www.pepperlee.co.uk/coating/bunch-name/escudo.html

I bought a few metres of the plain/ navy. The weight is 470gr, I am having made up in a classic double breasted Crombie style.

Peter K

For those of us likely to buy a coat off the rack some guidance on how to identify fabric weight from the label would be useful.

Alexander

A bit astonished, that you were not including animal skins/furs in this list. I have had some great navy shearling coats. It is really perfect for dead cold winters here in NYC and the brushed side of it is soft and neat looking like cashmere. What is your opinion on that, Simon?

Joel

That’s your next project Simon, an overcoat with a shearling lining.

Adam

What weight would you recommend for a coat for the depths of a New York winter? 30 oz? 35?

Peter

I live in Montreal and have found that most overcoats are great until about -10 to -15 degrees celsius, depending on the wind chill and humidity level. Below that and although more casual, a down parka is difficult to beat in terms of warmth. The challenge lies in finding one that you can wear with tailoring.

Chancellor

I live in the Niagara region of Canada which is just across the river from upstate New York, so hopefully a rough approximation of the weather in which you live. I have a 32 oz peacoat. Wearing a heavy sweater underneath, I find it is ok down to maybe -10 degrees Celsius (I’m assuming here I’m spending 30 minutes or more outside). Below that, I get uncomfortably cold. A complicating factor here is that it is a peacoat, so it isn’t very long.

I have a heavy wool chesterfield my Dad bought in England in the 1980s (St. Michael’s is the brand, I think). I don’t know the weight, but I’d venture it is probably in the 28 to 32 oz weight given how it feels compared to the peacoat. That I’m ok to wear to -20 or -25 degrees Celsius with wind chill added on top of this, assuming I’ve layered a light weight merino sweater with a tweed jacket.

Below that, or if I’m more lightly layered, I will usually go to a down parka–style becoming subservient to comfort. If I really needed to look stylish outdoors, I’d probably be fine with the chesterfield and deal with feeling a little cold, but I’d be wearing my down gloves or mitts, ear coverings, and a relatively heavy wool hat (not cap/toque) to manage the worst elements of the cold.

When I get around to doing a bespoke coat for the real cold, I’m sure I’ll get a cashmere/vicuna/alpaca fabric, get it double breasted (two layers of insulation at the front!), and ensure the ability to button close the front as well as the skirt and vent. I’d also look at inner elastic cuffs for the ends of the sleeves to keep the wind out. A good fit at the waist is also critical for warmth–you’ll feel the cold air blow up the coat and the warm air get pushed out of it as you move if you don’t have a good fit there.

Hope that helps.

Joel

Hi Chancellor,

St Michaels used to be an in-house brand for the department store Marks & Spencer in England.

AMS

I’ve been in NY for nearly 30 winters of my adult life and they are surprisingly mild, ever more so lately… In grams, anything 500g and above should be fine. You can get greater warmth with layering, and covering the hands, neck and head.

anonymous

I just picked up a 460g cashmere double breasted coat. Albeit I “run hot”, I have been perfectly comfortable on the coldest NYC days so far with a winter weight suit underneath.

Tim Fleming

I agree. Layering and accessories are the key. I’m fine in a 3 piece suit in a 13-14 oz. cloth, hat with ear coverings, scarf, warm gloves, and an overcoat in a standard 20-25 oz. weight for temperatures down to -15 C. So long as you’re moving and not standing still, I don’t think it’s necessary to search out heavier cloths. The accessories make the biggest difference in being fully covered. An astrakhan is also worlds better and more appropriate for these temps than any type of fedora/trilby.

Konrad

A nice overview, Simon. One edit – it should read: “…looking at 600-700g, or 20-23oz”

Jason

Excellent article excepting, in the real world , rain wear aside, most of us only want/need one overcoat.
With that in mind, what would your definitive recommendation be and why ?

Manny

Simon, looking for informational about the appropriate height/length/placement of the split on the lower rear of the coat. I’ve seen some starting 8 inches from the bottom (on a knee length garment), and I’ve seen some running from above the waistline.

George

I will always go for good quality cashmere

Anonymous

I’ve had an overcoat made in a 20oz navy wool with a thinsulate zip out inner shell through the body and sleeves.

Without the shell is good for coolish weather. With the shell is perfect for freezing winters in NYC.

By the way Simon you have overlooked a point of significant importance; weight is one thing, but DENSITY is the way to protect against wind.

Rune

And then the inevitable question who is a good tailor for an overcoat? Any particular recommendable? Should I go to Savile Row or to Italy or perhaps somewhere else? And the price I should expect for a good overcoat? Around GBP 6.000,- for bespoke? And for RTW perhaps around GBP 3.000?

Rune

Perhaps it would be interesting for people if you could go deep in explaining different styles of coats in depth in a separate post? And then hopefully a bit about coat tailors as well?

Anonymous

Great article, timed just right for (Northern Hemisphere) winter. A pleasure also to see many of the PS coats in one article. Roughly, I think eight coats cover the bases, from light to heavy: rain mac, covert, camel or fawn wool, chesterfield, ‘king’ coat (double breasted town coat), tweed country coat, crombie, British warm or guards type, duffel. Of these I find the the mac, covert and crombie get the most wear. Understandably, if I were in the cold of NY something heavier would be useful. N.B. paras 15 and 24 read rather strangely i.e. ‘that work the deserves’?

Chancellor

Really helpful post for whenever I get around to commissioning a bespoke coat.

A couple of follow-ups (one of which isn’t really about the cloth, but I don’t think there’s another general overcoat post you have done):

1. You discuss cashmere and vicuna as warmer cloth. Camel you mention as soft and luxurious but don’t comment on its warmth. Would it be similar to wool or maybe a little less warm (I assume camels don’t want to overheat and just need some insulation over cold nights)? And on a similar vein, any comment on alpaca as an overcoating?

2. Do you have any thoughts on regional tailoring styles (Saville Row v. French v. Northern Italian v. Neapolitan)? Would it just be a matter of style (amount of structure and extent of finishing details), or would there be other differences of note?

Thanks!

Michael

Wow, what a beautiful collection of coats. Unfortunately I’m still at the beginning. I’ve heard of something like a rule that you should avoid notched lapels on DB coats. What do you think of this rule? I found a nice DB coat, but it holds me back.

Tom

Simon, excellent article on a topic that has been on my mind. What manufacturers do you like for the wool/cashmere (20% approx) mix fabrics in the 20-25oz weight range ?I attended two of your events this year. Hopefully get to see you again in 2019. Merry Christmas and Happy New Year.

Or

What about a wool/silk mix? How will that cope with rain etc

Colin

Hi Simon…Am I correct in saying that the Private White PS Bridge Coat is around 22oz and their Pea Coat slightly heavier, at 30oz? I think you mentioned previously that warmth wise they would be comparative, due to the 20% Cashmere in the Bridge Coat?

Daniel

Simon,
Thank you very much for this article.
I wonder what was used for coats that were designed to stay outside for hours during “real” winters.
I am thinking here about cold, continental winters (<-15C) and military (or similar) use.
Were these coats somehow insulated (down / fur)?

Tom

Apologies for the confusion Simon. My question is what mills do you like for the 600-700g 20-25oz wool / cashmere mix (approx 20%)..e.g Scabal, Holland & Sherry, Loro Piana, Hardy Minnis etc..Thanks

Robin

Top coat , overcoat …?
Always tricky given they are mutually exclusive and the milder weather in temperate climates means they have limited use.

I suppose what most people want is a happy medium between the two. maybe a bridge coat?

jim

Off Topic but did you see Harry Kane at SPOTY? I thought he looked great in very smart double breasted grey flannel suit, perhaps from A&S?

Anonymous

More likely to be from M&S as they provide suits for the England team.

Paul F

Thank you for a very informative article Simon. I’m usually not layering much because otherwise I’m way too warm at the office so tend to have warm coats. I’ve got a 700gr huge glen check from Holland and Sherry, made as a polo coat by WW CHAN. It proved a great investment vs the cold Luxembourgish winter. However we rarely go below -15 Celsius.

Anon

Simon, another great post. A related question – what colour overcoat would you wear over a tweed blazer? I have a tweed blazer very similar in look to your donegal suit made by Dalcuore, which I wear with navy chinos. I can’t quite fiend the right overcoat to wear over it though. Navy seems too formal and grey seems to jar with the tweed. Any help appreciated. Thanks.

BespokeNYC

Speaking of coats, just received my Bridge Coat and it looks fantastic. Perfect length and lovely soft material. And that collar!

Tony Provenzano

Excellent article. Thank you. Did you post a separate article discussing the unconstructed grey coat at the top of the post? That style always catches my eye.

tomas löfström

Thanks Simon for a very informative an interesting artickle.
I have bought several vintage Alpaca coats in excellent condition and was curious of what you think if Alpaca for cloth in a coat.
Best regards
Tom

Sasha Perera

Hi Simon,

I have looked forward to an article about various overcoat cloths for a while. There are some questions I have regarding overcoats. Firstly, fabrics such as guanaco and angora which I have a read about being fibres used to make overcoats; I have never found any comprehensive sources or images of what the texture of overcoats in these fabrics look like, and what their benefits are.

Secondly, apart from typical overcoat colours such as – Navy, grey, black, various shades of brown and green, camel, and the caramel colour of vicuna. What would be another classic or neutral overcoat colour worth considering?

Lastly, what are your thoughts on overcoats in bold patterns like Plaids, tartans, and checks? Are such overcoats too fashionable and what would be the ideal fabric for such an overcoat. I have always entertained the idea of a patterned overcoat, for informal wear with casual garments, namely odd jackets and sweaters.

That’s all of my questions. Thank you for taking the time to read my comment.

Kind Regards,

Sasha Perera

Fastship

Winter coats can be great fun to play with. I am able to visit many of the great mills in Yorkshire & Lancashire and often you can browse bunches in their mill shops and buy at VERY low cost then have it made up at a local tailor. For example, I saw an old photo taken on the Queen Mary in the ‘40s of a fantastic coat worn by non other than Stan Laurel Just the thing for cold Atlantic crossings!

After some research I established it to be a Polo “wrap” coat, no buttons, Ulster Collar, Raglan Sleeve, Martingale belt and turnback cuffs. I bought a length of Camel hair from Dormeuil’s mill in Huddersfield and had it copied with a cupro lining by the very same tailor who made the Beatles stage suits when they first went to America. The Mrs stole it though.

However, I have never found a tailor able to make a classic trench coat.

Re. insulation, there are technical solutions such as ultra thin insulative membrane linings and also hydrophobic nano treatment such as P2i that are undetectable on fabrics.

Peter

Something I don’t understand:
“A top coat would also usually be shorter, finishing just above the knee where an overcoat would be below it – which will also reduce its warmth.”
Why would the shorter topcoat be warmer than the longer overcoat? It sounds counter-intuitive.

Peter

It’s worth pointing out that when you choose your cloth for an overcoat the higher up the weight scale you travel the more difficult it is for the coatmaker to execute certain parts of the garment and therefore what you gain in warmth and drape you may loose in detail. Think double breasted points in a 32oz British Warm – not a good idea.

Dan

Very informative, particularly the importance of investing in a navy cashmere overcoat above all else.

I’ve read Escorial makes a fine surrogate to cashmere in jacketings. Are they available as suitable overcoating cloths?

Thanks for your time.

Dan

Thanks for the reply and the heads up. I’ll keep its availability in mind when seriously consider ordering a bespoke coat, weighing the pros and cons of different fabrics – cashmere, Escorial, cashmere-wool mix, camel, etc.

Peter O

Is that your new Chicago hat on the hook in the photograph, Simon? You really have an astonishing wardrobe and are looking ever cooler! Also incredible what you must know to answer the readers’ questions!

R Abbott

Thanks for this article. Several questions:

(1) What do you think of navy herringbone as a more casual alternative to normal navy? I have a friend who has a navy herringbone tweed that goes well jeans and sports coats. I imagine it could work over a suit although the look might be more casual.

(2) I already have a plain navy topcoat (and your navy bridge coat). Would herringbone be good for a second coat? Between navy and mid grey, which would be more versatile? (I have dark blond hair and blue eyes, so I tend to wear navy a lot. I have several mid grey and charcoal suits but no grey coat. Perhaps time to diversify?

Joel

As you mentioned that cashmere is maybe a bit fragile for a day in, day out overcoat, but that camel hair is harder wearing, would you say it is then adapted for that use? As well, what do you think of a navy camel hair overcoat?
Thanks

Sebastian

Hi Simon! I am looking to buy my first bespoke coat and, following your recommendations, am searching for a midnight/navy wool or wool-cashmere cloth between 20 and 25oz. Is there any cloth you would recommend to me in particular? Thanks a lot in advance!

Alex N.

Dear Simon,
What lining would you consider for added warmth to a heavy overcoat, let’s say 27oz wool. In one video D. Cabrera mentioned that Huntsman do cotton twill lining for added warmth. Do you think it would be warmer than Cupro? Would Cashmere work as a lining or would it be too delicate?
Kind regards,
Alex N.

Alex N.

Dear Simon,
Following your advice I sought for a long time and managed to get a hold of a 36oz pure cashmere Navy overcoating fabric. It’s simply out of this world and am looking forward to having it made next year perhaps. I would be looking at either Steed or Liverano to do a double breasted Ulster. Those Liverano’s are amazing.
I don’t mean to be boasting but I am so proud of finding such a cloth. They are rare but exist. I simply wasn’t convinced that 22-26oz cashmere is the heaviest there is. I did have to sacrifice my next bespoke commission for it but hey right now we don’t really need suits.
Best,
Alex

Alex N.

The cloth was woven by Lovat mill on request of the London Lounge cloth club and was done years ago. Recently, they had been reorganizing the storage and found a forgotten length and it was mentioned on the forum and I happened to be online when that happened. I knew of its existence and was hoping for more than a year to find it somehow, so I am very glad I did. And was a perfect length 3.5m, not some odd length.
Best
Alex

YK

Hi Simon,

I am interested in getting a casentino overcoat but as I understand it from speaking to people in the industry, there is only 1 mill in florence that does a proper casentino- the name escapes me, do you know the mill and is this true?

Anonymous

Dear Simon,

I just read the article you wrote on The Rake’s casentino Ulster coat, where you said that you were warming up to casentino. How have your feelings evolved? Do you like it now? If not, would you mind sharing your reasons? Thanks.

S

Hi Simon,

I managed to get my hands on a very interesting Kiton overcoat (Navy DB 6×2, fully canvassed, turned-back cuffs, patch pockets, below knee length, pleats above and below the half belt) with an unusual 77% Cashmere 23% Silk blend.

Though, I did not succeed in finding the mill nor the weight of the cloth, I assume this blend was not used for cutting costs as the original price tag was over 7100 euros.

What are the advantages (or drawbacks) of such a blend versus 100% Cashmere?

David

Just reading your post now, I am having my first bespoke coat appointment this sunday. I wanted to go for a dark navy double breasted, over the knee / calf length. I don’t see them in a lot of posts tho.. What would you say? Should I go for a green of camel coat rather? Wanted to make this one my work horse for years to come.

Jake

Hello, Simon.

I plan to purchase the Stoffa 007 Raglan coat later this year and am trying to decide between fabric options. This coat will be mainly for work, but also for the weekends. I rarely wear a jacket and my office dress code is business casual, though I’d like to be able to wear this over a suit if needed. This coat will be my first proper wool coat.

Stoffa offers the coat in a double-faced merino wool in navy, charcoal grey, and grey herringbone (550 gms) and a natural wool in cream, taupe, light brown, and chocolate double-faced flannel (580 gms). If you’d like, you can reference the colors here:

[Double-faced merino wool] https://stoffa.co/blogs/la-stoffa/in-studio-winter-textures

[Natural wool] https://stoffa.co/blogs/la-stoffa/introducing-natural-wool

Might you be able to offer any suggestions for the most versatile fabric option? I live in the US Northeast and while weight is a consider, I’m unsure if the 30gsm difference would make a difference when worn.

Thanks for your time, Simon.

Malik musawir

Hi my name is Malik, I have a company called Lonitaly Fashion.
When is the custom Tailor and bespoke tailors going to wake up to the fact that if you’re dressing properly and you have on a gray suit don’t you think you should have on Gray shoes.
What if you’re wearing a blue suit don’t you think you should have on blue shoes to match

Ian A

There is a body of well reasoned thought on style that argues that it is black shoes only that you should wear walking around on concrete in a city or large town and that brown shoes are really only suitable for walking around on grass or fields. Naturally this has not been common thought for at least 40 or 50 years but I do wonder whether it will return.

David

Hi Simon,

Not sure how to reply on my previous comment, but thank you. They advised my a Caccioppolo 520gr double face wool, it felt great to the touch and looked good. But as I am rather a new to all this I wonder if this would cope with Dutch winters, what would you say? I don’t want to have to turn to another coat when it is lets say 2 degrees celcius or something. Also I am wondering what the double face wool adds? I read that there is no lining needed with double face, but doesn’t that have a negative influence on the lifespan? Do you have any tips or tricks I should as for?
I find the way the shoulder is on your Michael Browne coat absolutely amazing by the way.

Anonymous

What weight would you recommend for a wool overcoat for London if someone is freezing easily?

Anonymous

Hi Simon, what wool coat fabric would you recommend? And what are your thoughts on Cerruti cashmere for coats? Thanks!

Anonymous

Is it better to buy a seperate overcoat for knitwear or is an adjustable overcoat like your Vergallo/Ettore de Cesare a good solution? I’m asking because you said an adjustable coat for both tailoring and knitwear is always a compromise.

Anonymous

Can a tailor make an overcoat with a fur lining (like the ones of Loro Piana)?

Anonymous

When the first overcoat is a navy DB and very heavy, would you make a second lighter topcoat also DB or SB?
Would you choose a different colour or stick to navy since the two coats are worn in different temperatures (suits are mostly navy, some charcoal grey)?

Anonymous

I also like DB coats a lot and don’t want to have two similar coats. What colour instead of navy would you choose? Charcoal grey? Dark Brown? Camel?
I like dark brown because I think it looks great with navy and also looks good with charcoal grey suits. Charcoal grey is also a nice colour especially with subtil herringbone but I’m unsure how it would look with navy suits.

Anonymous

I always had problems with temperatures where my heavy DB overcoat is too warm but my trench coat is too thin. The temperature range is approximately between 0 and +10 degree celsius. What weight range would you recommend? Up to what temperature do you wear a trench coat and when do you change to your topcoats?

Anonymous

How important is the structure of overcoats (padding and chest canvas)? I could imagine it’s less important than at suits and also less variation in amount/weight?

Is there a big difference between the structure of an English overcoat and a French (like your Cifonelli) or Northern Italian (like your Liverano) one? If yes, which do you prefer and why?

Stuart

Hi Simon,
Hopefully I’m not too late to ask this question but could you please let me know if the weights referred to in your article are per linear metre or per square metre of fabric? At first I assume that that everything was per square metre but from looking at the available fabrics in the market I now suspect that almost everyone quotes weights on a per linear metre basis (assuming a 1.5 metre width).
Kind regards,
Stuart.

Fabio

I’m currently planning to order a classic ulster coat to my tailor, but I’m a bit puzzled on the choice of the fabric. I’m considering cashmere (oz. 15 1/2) or camel hair (oz. 17 1/2) in the classic “camel” color. I’ve never owned a coat made of these materials, and due to their cost I would like to make the most appropriate choice. Considering the pleats in the back of an ulster coat, which might lead to additional friction of the fabric when seated, and the more “casual” nature of this type of coat, maybe camel hair would be appropriate since it’s more resistant then cashmere. In the other hand I’m sure of the impeccable result of cashmere, but more in doubt of the overall look of camel since it is much more hairy and I’m not looking for a too “rough” look. Did you experience both fabrics ? what would you suggest ? Thanks

William Nixon

Hi Simon!

I don’t suppose you’ve ever worked with heavy moleskin for outerwear (in particular for overcoats)? Obviously it won’t be as warm as wool, and definitely cashmere, but I was looking at the heavier options from Brisbane Moss, perhaps for something that develops a nice patina over time, as cottons do. I was wondering what your thoughts were?

Juan

Mr. Crompton, I am considering the possibility of purchasing a RTW camel overcoat as my first one. I indeed like It very much, but wearing a camel overcoat in my country can be a bit flashy. Is there any advise you can give me on that point? Thanks in advance.

Noel Tay

Hello Simon,
I am thinking about commissioning a overcoat in the near future and I was wondering what do you think of calvary twill as cloth. I am considering going with Standeven Snowdownia bunch calvary twills. If not could you give any other suggestions to cloth when it comes to covert cloth? The only one I know is VBC’s Covert which is probably not heavy enough for a place like Hokkaido,Japan.